Presenting Pastness  

15 – 23 April,

Art Outreach, Gillman Barracks,

Singapore

2023

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Exhibition view

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Installation view 'Passage'2023

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Installation view 'Passage'2023

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Installation view 'Passage'2023, as shown in exhibition 'Presenting Pastness' April 23, Singapore

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Installation view 'Passage'2023

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Installation view 'Passage'2023

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Installation view 'Passage'2023

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Installation view 'Passage'2023

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Installation view 'Passage'2023

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Installation view 'Passage'2023

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Installation view 'Passage'2023 Panel 1: 'from July...', 2023

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Installation view 'Passage'2023

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Installation view 'Passage'2023

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Installation view 'Passage'2023 Panel 2: 'from May...', 2023 as shown in exhibition 'Presenting Pastness' April 23, Singapore

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close-up of 'from May...',

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Installation view 'Passage'2023, as shown in exhibition 'Presenting Pastness' April 23, Singapore

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exhibition view

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from August 6..., 2022

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close-up of 'from August 6...'

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from May 15..., 2022

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close-up of 'from May 15...', 2022

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from June 25..., 2022

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close-up of 'from June 25...', 2022

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from April 26..., 2022

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close-up of 'from April 26...',

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from March 18..., 2021

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close-up of 'from March 18...', 2021

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from May 24..., 2020

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from May 24..., 2020

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Project Description

“Presenting Pastness” is a solo exhibition that features Zoya’s delicately crafted cut-out works and an installation.

Details

Our memories of the past are not only from lived experiences but are also dominated by media information. The cut-out works in the exhibition refer to the fragile outcome of the works as a testament to the fragility of the juxtaposition of time, space, and fleeting emotions. The objects presented are a result of Zoya’s reflections during COVID restrictions in Singapore, as an emotive negotiation in relation to collected newsprint paper of that time. Exploring her personal filters and thinking about ruins, she drew inspiration from latticed ‘Jali’ screens, a historical architectural feature from India, to cut out geometric shapes through which the perception of the real and recorded may be filtered or fragmented. Using a combination of hand cutting, laser cutting, burning, scratching, and painting the surface of newspapers (pasted on canvas) from specific dates, Zoya explores the notion of ‘media as material’. This considers news media as a referent to past events that are under erasure in their representational form, drawing attention to their materiality.